Pathology

By Aimee LaBrie

On my way to the doctor’s appointment, I see a man on the SEPTA line, and I know he is wearing Angie’s skin. His face has a certain patchiness to it, raw and pink like salmon where the donor skin has replaced charred flesh. He wears a cap pulled down to hide the marks. I step closer, pretending to read the sign above his head, “See something, Say something.” As a former nurse, I can tell you how long it takes the skin to grow back, can tell you the high probability of skin rejection, can guess he got the burns from an exploding meth pipe. 

That is often how I pass my time on the train, diagnosing passengers—the old man with the slight hand tremors is experiencing early Parkinson’s, the woman with the swollen ankles has type 2 diabetes, the pale child listing to the side is anemic.

The burned man is lucky to be alive. Something about his face reminds me of her. 

meat_michaelkatchan

Meat by Michael Katchan

The man looks up from his newspaper and catches me staring. He has no eyebrows. This is a newer transplant, and it looks quilted together, like it hasn’t quite gelled. He takes an inhaler out of his pocket and puts it to his mouth, breathes in. 

I turn away, watching the blur of the North Philly landscape through the train window. Abandoned buildings tagged with dark graffiti, rusted out, windowless cars, piles and piles of trash.

She’s in my head now.   

Two years ago, I worked as an organ transplant coordinator. My job was to convince families to say yes to donation and then to divvy up the organs to various other bodies. I was very, very good at my job. I could see what people needed to hear to check all the boxes, even as their loved one was on a breathing tube ten feet away. I helped to gather yards and yards of skin, along with bones, corneas, organs, heart valves. I told myself that I did it because I was saving people on the other side, those on the transplant waiting list. But that wasn’t the real reason. The real reason was because I liked the challenge. 

All of that changed the night I met Angie. 

It was a Tuesday in September, and Angie was my last case for the week. It had been a quiet shift, no slick roads leading to car crashes, no knife fights in South Philly, no one high on ketamine and Nyquil hit by a bus crossing Broad Street. I felt the fogginess of not having had enough sleep. We worked 48 hours in a row, and Angie came at the end of that time. Like most medical professionals, nurses learn how to sleep on their feet, but there is a certain level of tiredness—you may have experienced it yourself when you traveled overseas — the tiredness so present that gives each moment an otherworldly dreaminess. Noises are louder because your body wants to shut down and rest, but you keep moving forward. 

Angie Domingo, 16 years old, Hispanic female, blood type O+ the universal donor. Strangled with a bike lock by her boyfriend in the bathroom at Arby’s where they both worked. The boyfriend went home and shot himself in the head with a revolver, etcetera, etcetera, etcetera. He bled out. She was unresponsive at the scene, but the paramedics got her heart back after thirty minutes down. 

As soon as I arrived at HUP, I checked her chart, took her vitals, and placed my woolen scarf around her neck so her family wouldn’t have to see the abrasions where the lock had sliced her skin. 

While I waited for the next of kin to return, I examined the girl in the bed with her shiny star earrings and wondered what the day before was like for her, whether she had tried to get away from this guy, this manager from Arby’s who was fifteen years older. What did she like about him, this rapist/murderer? Did the two of them have sex in the back freezer where they keep the frozen meat?

You cannot ask the dead body questions. You can investigate the state of the flesh, look for burn marks or cuts or signs of physical or sexual abuse. Those provide clues. There was no social worker assigned to her case, no criminal record to be found, no track marks in the soft crooks of her elbows. On this girl, prior medical records from the pediatric doctor showed that she had a healed broken femur, but no current signs of trauma, other than the ligature marks from the bike lock, and the cuts on her knees when she fell to the tile floor. 

The mother and father came into the room. The mother wore a gold cross around her neck. The father clutched a Bible to his chest. They were small, dark haired, polite, eyes red from crying. I shook their hands, told them how sorry I was about what they're going through (lo siento). The mother had a hold of her purse like she worried she would drop it. The father kept wiping his face with a white handkerchief.

I wasn’t sure how much they understood about organ donation or about their daughter’s death. We had already done the brain death tests. The on-call neurologist had done a brain scan when she was admitted, and it came back as flat and clean as you’d like it, no blips of activity. A few hours later, they had done reflex test, sticking a cue tip in her eye to see if there was any small bit of Angie in the back of the mind, screaming to be let out like a locked in syndrome patient in a Twilight Zone episode. There was nothing. From the neck up, she was dead. A vegetable. A nothing. The color in her face, the fact that she looked just like she was sleeping, her moving when I touched her, were because of the machines that kept the heart pumping, the blood flowing, the oxygen moving in and out.

The mother said something I didn’t understand. I had asked for a translator, but it was 3 a.m. and there were none available. She asked the question again, rubbing her hands together, and I took this to mean she was worried that her daughter was cold. A bad sign for me because it meant they thought she was still alive in there somewhere. Angie was brain dead, she felt nothing. She wasn’t cold or hot or lukewarm. She was dead. I nodded anyway and got another blanket. Together, we tucked it around Angie’s body while I searched for a way into the conversation about donation. 

I tried to remember the Spanish words for “priest.” 

As if she understood, the mother said, “We pray?”

I didn’t want to pray. I wanted to sleep. I imagined what would happen if I lay down next to her daughter at that moment. Instead, I said, “Iglesia?”  

She nodded. The husband stayed by the bed, running his fingers over the blue beads of a rosary, lips moving soundlessly.

I walked the mother over to the hospital chapel, a place I had not been in for years, not since I was a little girl living with my grandmother. The chapel had three small pews, an altar, and a place to buy prayer cards.  It smelled like incense and roses. It’s where all the flowers went after the patients were discharged or died. 

I put in a call to the hospital clergy and then followed the mother inside. 

The mother got on her knees. I knelt next to her, my head bent against the velvet of the pew in front of me, and I fell asleep for I don’t know how long. In my half waking and half sleeping, I thought Angie had come in behind me. My neck went wobbly, the hair on my arms pricked up. I imagined she was blowing on the back of my neck, with soft breath that smelled sweet and rotten, like the dying flowers in the vases. 

I awoke with a start. 

The mother turned to me, patting my arm. “Tired?” 

I nodded. 

What I remembered from my brief time in the Catholic Church was that the mother might be worried that the daughter had committed a sin. Maybe her daughter had sex with her murderer. Maybe she had been sneaking around. “She was a good girl,” I whispered. 

The mother turned to me. She had a wide-open face, a dimple that appeared in her cheek as she gnawed on her lips with worry. “An angel,” I repeated, holding her gaze. “Angel.” The word is the same in Spanish and English. 

She nodded slowly, considering. 

It didn’t occur to me then that maybe Angie was not an angel—that maybe she was something else. Not a good person, not a bright and shining star.  

An hour later, the mother checked all the boxes: cornea, heart, lungs, liver, intestines (small and large) kneecaps. Pancreas, kidney. Skin. 

They said yes to it everything. Todos. 

As they were leaving the room, the mother turned and grabbed my hand. “Thank you,” she said. Before I could respond, she pulled me into a tight hug. 

I felt nothing. Just the quickening of her heart against my chest. “De nada,” I replied, pulling away.

The bones would go to heal shattered kneecaps, the skin to cover burn victims, the lungs to a boy 1,400 away with pulmonary disease, the heart to another person, the kidneys to two more, corneas, etc. Her body would be taken apart and distributed across the country. 

After they left, I was alone with the body. I took Angie’s hand, warm, living, said, “Squeeze if you hear me.” She did not squeeze. I pinched her forearm, hard. The flesh stayed raised, no movement. I pushed the hospital blankets away and grabbed the skin above her thighs. No movement.

Everything after that should have been normal. I’d been through it many, many times. Phone calls to schedule the OR, phone calls to place the organs. Routine bloodwork to make sure we don’t place a diseased kidney into a healthy body. 

I took blood from her arm for a second round of tests. Waited. Played a jewel matching game on my phone and chit-chatted with Julie, the night nurse. The second round of bloodwork came back. In donation cases, we must rule out problems. Her blood work was pristine: no cancer, no blood disorders, no HIV, no hepatitis, no traces of narcotics. She was clean, clean, clean, except for one detail: the presence of human chorionic gonadotropin or hCG. Pregnancy hormones. Angie had a tiny, itty bitty collection of cells in her uterus that, if given time, would grow into something more. 

I read the results and blinked. My contacts were dry from being awake so long, I didn’t trust that I was reading the report correctly. I looked at the first printout and saw that I had missed it. 

Now, a choice. Did I call the family so they could reconsider donation? I didn’t think they would understand—first, because of the language barrier and second, because of the praying, the rosary. I imagined the struggle of trying to convince them she could not survive on machines for the additional eight months required to grow a baby. I had these conversations before without the barrier of a different language. Families who believed they could bring the brain-dead person home on the ventilator and set her up in the living room, surround her with Lady Madonna candles and St. Michaels prayer cards, drape her in blue-beaded rosaries and clean her regularly with holy water. 

Angie was never coming back. They would be housing a breathing corpse. The organs would decompose. The baby would miscarry. Brain dead means all the way dead, not sort of dead. She would not recover slowly, heroically, take wobbling steps toward your family. They could put food in her mouth, and it would fall out on the carpet. 

But take someone who believes that Jesus died to save them, that believes in drinking the blood every week, and you may find that the rules of medical science do not apply.

I returned to the body. She looked peaceful, eyes shut, dark hair fanned against the pillow. Her mother had insisted on brushing her daughter’s hair before she left. Angie’s star earrings sparkled; her brow was clear. I wondered if maybe Angie had known about the pregnancy, if maybe that was something she told the man who shot her—if maybe he had an opinion about the pregnancy that she didn’t share. 

The guidelines from the organ procurement organization ware clear: a brain-dead woman could not consent to keep the baby, and so the woman should not become a human incubator. The baby would not survive anyway. But the family should be told. 

I placed my hand on the blanket, near her abdomen. 

She jerked. She then sat straight up in the bed and fell back against the pillows. I thought I was hallucinating, but she did it again, her hands clenching and unclenching on the hospital blanket. I put my hand against her chest, feeling the coarse fabric of the hospital gown under my hand. This was normal. It's called posturing. It happens because of an influx of nerves in your body, a twitch of electricity. 

My grandmother had chickens, and my earliest experience of them was seeing her walk out into the yard, striding in her solid practical shoes (she was a nurse too), grab the chicken who was too slow or too tame, and lope off its head on the cinderblock in the back yard near the swing set. Headless, the wings flapped in the air while blood sprayed from the pipe of its neck. 

Posturing of a patient had never happened to me on a case, but I knew it wasn’t unusual. 

That is what I told myself.

Just to be sure, I dislocated her breathing tube. Removing the tube is not against the rules, though it’s the doctor who is supposed to do it, not the nurse. It’s one of the tests for brain death. You take away the oxygen to see if the patient breathes on her own. I waited, counting the seconds on my watch. Ten seconds: no breath. Twenty seconds, nothing. Thirty seconds: no breath. At 35 seconds, she tipped sideways. Her eyes flew open, blank white, like the baby case I had one time, the baby who crawled into the blow-up pool and drowned face down in three inches of water. I looked at Angie’s blank eyes; one was colored bright red where a blood vessel burst. I felt a rush of fear. I moved to put the tube back in her mouth, and her teeth shut with a snap, cutting into my fingers. When I tried to pull my hand out, I couldn't at first, and I panicked, knocking her away from me. My fingers caught on her top teeth, drawing blood. She slumped forward on the bed like a doll, and the heart monitor went crazy, bleeping alarms that meant she was going into cardiac arrest. 

Julie and two other night nurses rushed in. 

I stepped away from the bed, holding my hand. The pain was sharp, sudden. The cut ran along my index finger, sliced like the gills of a fish. I rushed to the bathroom sink to clean the wound, then added disinfectant and bandaged it up, my hand trembling. 

The sound of the heart monitor had stopped clamoring when I returned. “What happened?” The nurse asked, looking at the bandage on my finger.

I said, “I cut myself.” 

We got her stabilized, pushed in more meds, and that was the end of it.  

While she was in surgery, I returned to the chapel. I knelt on the pew, stiff, awkward, felt like an imposter, put my hands together and tried to pray, but my mind wandered. It was like I was watching myself perform this action from another place. Me, not me. 

I looked up at the crucified Jesus on the cross, his eyes heavenward. Then it seemed like his eyes shifted toward me. My vision blurred. I saw his fingers move, the hand with the stake wiggled, as if he were about to pull free. I was sure he would climb down to get me, to take me by the throat with blood on his hands, saying, “You are a murderer.” 

I rushed from the chapel, knocking over a vase of dried roses. 

In the middle of the surgery, as they were removing her heart, I woke up. Someone had dropped a scalpel, and it hit me in the bottom of my sneaker.  I had been asleep on my feet in the back of the room, and thought, Oh, no, oh, wait, I forgot. The priest had called earlier, he said if I waited another hour or two, he would be finished with the baptism of a dying baby. He was in the pediatric wing of another hospital, an hour away.

“No, no, don’t worry about it,” I said. I couldn’t fathom another hour in the room with her. “She’s fine. She’s…it’s okay.” 

What can you do? There had been a fire in North Philadelphia, six row homes at one time. Priests were gone, they had to carry the bodies out and bless them with the smell of burning flesh in the air, smoke rising from the buildings. No one was there to help, and that’s just a matter of timing. 

I could have waited for him, that is true. But I was so so so so tired.  

About the fetus, there is no story. It’s like a Russian doll, one life inside another, inside another. I thought for a second: what if the baby had a baby inside it, and then another baby inside that one, all of them spilling out onto the operating floor, like when you gut an animal and all of the other creatures it has eaten spill out in a slick blur. My dad did this once to a large fish, and a minnow, still flopping alive, came out, a silver flash in the bottom of the boat. I picked it up by the tail and released it, a second chance at life. That’s the slogan we have, if you want to call it a slogan. A second, third, fourth chance of life.

The rest of the surgery went without a hitch, heart, lungs, abdomen, eyes, liver, kidneys to two different people, bones removed from the body and replaced with metal tubes for the viewing. Yards and yards of her skin. All of her taken apart, piece by piece. 

One of the doctors, a nice one, followed up with me as I was packing up to go home. He said, “It looks like she was three months.” I pretended not to know what he meant, waiting to see if he was going to be the type of doctor who reported infractions. He had dark circles under his eyes. Like me, he had been working for hours on end. “Didn’t you see the blood work?” 

“Yes, I guess I must have missed it.” I was able to say this while looking him straight in the eyes.  

He opened his own eyes wide as if to wake himself, then blinked. He had been in surgery for ten hours. “We can use it. The placenta. Do you want to let the parents know?’

I nodded, “I will.” 

I did not call the family. Instead, I scrubbed out, put on my clothes, and caught a cab home. I did not say goodbye to the body. The last time I saw Angie, she was under a sheet, her body opened up from sternum to uterus. 

For the greater good, you understand.  

The train begins to slow. We’re near Kensington Hospital. Dr. Patel waits for me. I get up, glance once more at the man with the borrowed skin, give him a small smile. He doesn’t even look like her. It’s unlikely that a piece of her is attached to him, just like it’s impossible that she was alive when they opened her up and removed her organs. 

Yesterday, I received a phone call from my primary care physician. I have been seeing blood in the toilet, wispy red arms of it every time I pee. I knew I wasn’t pregnant, so I prayed for a cyst. Or even a benign tumor. Dr. Patel said, “You need to come in on Monday.”

“I have to work on Monday.” 

“You have a family member who you can bring in with you?”

Doctors never say that the news is easy.  

The way I picture it is a dark mass, a mess of hair and teeth rolled into a fleshy ball. The medical term for this type of mass is “teratoma.” 

When she bit me—that’s when it happened. It went into my blood, that poison from her. That’s what I kept thinking. Whatever darkness she had added to my own dark heart and worked its way into my bloodstream, polluting me too. 

In pathology class in nursing school, we learned how to track diseases in your body.  Pathology: the causes and effects of disease. Some diseases are genetically inscribed in your chromosomes when you are born. Whether you are likely to get Huntington’s Disease or multiple sclerosis or scleroderma. Other diseases develop on their own. When something is wrong in your body, it is called an abnormal pathology. Some pathology can be changed. Maybe you were prone to bone disease, but you drank a lot of Vitamin D milk. Some pathology can only be uncovered with time. 

For Angie, maybe there were genes for depression, ADHD, psychosis, who knows. For me, it could be the same aggressive uterine cancer that took my grandmother and then later my mom’s sister. Both went from diagnosed to sick to dead in under two months. I saw it happen when I was younger, and I’ve been on the outskirts of unexpected deaths in my profession. Cancer varies, but it is not pretty. It is not something I can handle.

The train brakes screech to a halt, the world outside coming back into focus.  I have decided. If the doctor says what I think he will say, I will follow Angie. But it won’t be in a public place. There are plenty of secluded trees in the thick of Wissahickon Park, places where the soil is dark with worms and mushrooms, places where you could take a sturdy rope from Ace Hardware and fling it over a tree branch. I don’t want to be found by a hiker, or a German Shepherd like you see in those detective shows. What have you found, boy? I’d like to stay there, swinging, facing the sun, until my body decomposes, returns to earth. No donation for me, not with all the cancer cells. 

I stand up, glance at the man with the patchy face. He has his head down; He wears a pair of blue coveralls and heavy brown work boots. He is an ordinary person going about his day. Not a ghost. 

I exit the train car, feeling a sense of dread return to my body at the thought of my appointment. I think, Don’t turn your head, because if I look back and he is watching me, I will know that the doctor has bad news.

The train starts to pull away. I can’t help it. I glance at the man. He is staring down, the brim of his cap shadowing his face. As the train car lurches forward, he looks up. His eyes meet mine, and his mouth opens in a brilliant, toothy smile.  

About the Author

Aimee LaBrie’s short stories have appeared in the The Minnesota Review, Iron Horse Literary Review, Cagibi, StoryQuarterly, Cimarron Review, Pleiades, Fractured Lit, Beloit Fiction Journal, Permafrost, and others. Her work has been anthologized in A Darker Shade of Noir: Body Horror by Women, edited by Joyce Carol Oates, and Philadelphia Noir, among others. Her second short story collection, Rage and Other Cages, won the Leapfrog Global Fiction Prize and was published by Leapfrog Press in June 2024. In 2007, her short story collection, Wonderful Girl, was awarded the Katherine Anne Porter Prize in Short Fiction and published by the University of North Texas Press. Her fiction has been nominated five times for the Pushcart Prize. 

About the Artist

Michael Katchan is an illustrator in Denmark. He's addicted to coffee.

Mercury Retrograde

By Jacqueline West

4/3/2024 
Dear Lycia, 
 
Hello. How are you? I am fine.

I don’t remember how to do this.

I don’t think I’ve written an actual on-paper letter in fifteen years. The last letter I wrote was another letter to you. 

Crazy. 

I wasn’t good at keeping in touch, I know. I never liked writing. But not being allowed to call you forced me to do it. Which was good, I think. I actually started keeping a journal after everything, just to make myself put my thoughts into words and look straight at them once in a while. And you were a great pen pal. I still have the cards you sent for birthdays and Christmases and for no reason at all. God, the stuff you could create with just a few scraps of junk. 

Martins_Breanna_Hobbyhorse

Hobbyhorse by Breanna Cee Martins

I can’t remember who stopped writing first. Actually, that’s a lie. I know it was you. Because you stopped, I stopped writing too. But I haven’t stopped thinking about you. Never. I see a sweater that’s a certain color, or I notice a piece of ribbon tied around a tree, or I catch the smell of a leaf fire or the right kind of perfume and it’s like you’re right next to me, and we’re thirteen again. Last night, I dreamed about you. Maybe it’s a sign that I’m supposed to give being a not-very-good pen pal another try.

Anyway. 

In the dream, we were in your old kitchen—your mom’s old kitchen—and we were baking Mystery Cookies like we used to do, just tossing in whatever we found in the cupboards. I remember the dream cookies were going to be coconut-butterfly flavor because you said butterflies were high in iron. But the cookies wouldn’t bake, no matter how hot I turned the oven, and when I turned around to ask you what we should do, you were gone.

I looked for you everywhere. I ran through the whole house, checking every room, pounding up and down the stairs, but my legs were moving slower and slower. You know how it is when you’re running in dreams, and the air is like hardening cement. Then I stopped and looked out the window, and I could see your whole empty backyard, and the woods waiting there, and I knew. I knew you were gone. I tried to scream for you to get out, come back, don’t go in there, but I couldn’t make a sound.

Maybe that’s what this letter is.

I hadn’t thought about Mystery Cookies in forever. Remember our Potion Project? The Three Choices game? Someday House? The tricks we’d play? Jesus, picturing Jemma Howard stumbling through the woods behind your place in her skintight pink prom dress, bawling, still cracks me up. Even if it shouldn’t. 
And they were always your ideas. 

It was all you.

Maybe you heard that I had a baby. Well—he’s not a baby anymore. He’s five. Having a kid is like speeding up time. Most days, when I wake up, I think I’m going to find my dad downstairs and my mom yelling that the school bus is already coming down the road and you in our usual seat at the back, waiting for me. And then I remember that I’m a grownup, and my dad is gone, and I live miles away from that road, and I’ve never gone back, not in twenty years, and the only things I have to be afraid of now are little things like bills and the flu and losing my job. And, of course, all the things that might hurt Jake. But I suppose every mother is afraid of those.

Anyway. 

Jake’s father and I were engaged, but we never actually went through with it. Then he moved away, so it’s just me and Jake now. And it’s good. I never thought being a mom was something I wanted, probably because I never thought about being a grownup at all. But the second he showed up, it was like the whole world turned over. It was a fresh start. Everything clean.  

He has this game he plays, where every single stuffed animal he owns has to get offered a bite of food at dinnertime, or Jake says they’ll get angry. He has an imagination like yours. I love that and I hate it at the same time. I don’t want it to take him where it took us. 

Things we did. Because we thought he liked it. Because you said he demanded it.

Even back then, way in the back of my mind, I think I knew it was all pretty messed up. 

But I didn’t wonder until much later, after we’d moved away, after I was done with high school and working a real job, where you’d gotten the idea for the Gray Man in the first place. 

Then I couldn’t stop wondering.

I should finally admit it. I was never sure if you believed in him. Or if I believed in him. Or if we were both just pretending, and the second one of us stopped, then the other one would be left with him alone.

I don’t know.

I’m not making excuses. Honestly. The last stuff—the horrible stuff—it shouldn’t have gotten there. It should never have gotten there. But we were kids. We didn’t understand.

Someone should have been watching us. 

Jake’s really into sidewalk chalk these days. He makes these giant artworks that fill the driveway, and they’re kind of like comic strips, like they show the passage of time starting at the garage door and ending at the street with a whole little story in between. My favorite so far was the one about a bear who ate spaghetti until he was the size of a house. Jake still thinks eating more just makes you bigger in general. He’ll learn the cruel truth when he’s thirty-two and his metabolism slows down. 

I hope this letter gets to you. I had to call your mom for your current address. She didn’t seem that surprised to hear from me. Or maybe she just doesn’t get surprised by anything. It sounded like she wasn’t sure if you were still in Philadelphia, or if you’d gone back to Albany or what. You know what’s extra crazy? I still remember your old phone number. I didn’t even have to look it up. 

If you want to write back, now you know where to find me. It would be good to know that you’re all right after this much time. I think we’re both free now. Maybe we both get fresh starts.  
 
Take care, 
Marley 

9:14 p.m. April 5 
To: Lycia Graham (518) xxx-xxxx 
David: Had a wild dream about you last night. 
 
9:16 p.m. April 5 
To: Lycia Graham (518) xxx-xxxx 
David: Don’t read anything into that. 

To: lyciaegraham@___mail.com 
4/7/24 12:48 p.m. 
 
Hey. 

I’m not sure you even use this email anymore. Three years, spending every single day with you, sometimes every single minute, and now I don’t even know where you are. I guess when nobody has listed numbers or actual metal mailboxes, it’s a lot easier to disappear. Not that you disappeared. Just that I can’t find you. Maybe that’s how you want it.

I’m taking boxing lessons. Sounds corny, right. But it’s actually pretty awesome. I’m working nights for Matt, and spending most of my days at the gym, or running, or at the park. My favorite spot’s by the duck pond. Nice wooden bench. I bring a book, sit there like an old man. Just trying to stay healthy. 

I hope you are too.

I’ve been working on the apartment. Tearing up the linoleum, fixing the cracks in the wall. Last week, I ripped out the carpet, and when I moved the bed, I found that old enamel necklace of yours, the one with the blue birds. You said it came from your uncle or something. That it was the last thing he gave you before disappearing on a sailing trip. Later you said it was before he went into a mental hospital. 

I’m guessing that was a lie. 

I’m guessing most of what you told me was. 

Like about your past. Your rich, abusive stepdad. Your mom passed out drunk in her pearls and pantyhose. Being locked alone in the house for days because the nanny they hired didn’t show up, or they forgot to give her a key, or whatever. Getting arrested when you were sixteen, all the messed-up stuff you did to neighbors’ pets and kids from your school. The judge saying you were a psychopath, and your parents just taking you out and buying you a car. That you ran away when you were eighteen, eloped with some forty-year-old musician, ended up in Paris alone. It’s taken me ten months, plus three years, to figure it out. I just believed it. I just believed all of it. It all sounds like a book to me now.

Maybe I’m reading too much.

I still dream about you. Don’t be flattered. 

In the last dream, a couple nights ago, I was at the edge of somebody’s yard. There was this rusty swing set, and a little playhouse that was falling apart, and beyond that, the woods. The sky was dark blue and the trees were silver. I could hear a girl crying. It might have been you. But now that I think about it, I’m pretty sure I never heard you cry. 

I walked toward the woods, and then I saw you. You were just standing there, with your back to me. You’d dyed your hair black again. I called out to you, but you wouldn’t even turn around. You just walked into the woods.

I knew you shouldn’t go in there. I was begging you not to. And it was like I couldn’t follow you. I was screaming your name, screaming until my throat hurt even in my sleep. I followed you up to the edge of the trees, to the trunk of one huge tree that was smeared with something dark and wet, and when I looked down, there was something—part of something—dead in a little cleared spot in the leaves. I’m not sure what it was. If it had fur or hair. I didn’t want to look closer. When I looked up again, you were gone. And even though I waited and looked and yelled and yelled, you never came back.

OK. There. It sounds screwed up, I know. Like I’m threatening you or something. But I’m not angry anymore. That’s the truth. You can take my stuff. Lie to me. Pack up while I’m gone, not even leave me a note. Disappear. It slides right off me now because I’m not holding on to anything. 

I just want you to be all right. That’s the truth too. I hope you’re still going to meetings or talking to that shrink. If that wasn’t another lie. If you’re looking for something else to help, I recommend boxing. It’s great for getting the ghosts out. 

Not much else to say. I finished my left sleeve, finally. Matt at InkJet picked up where Sammy left off. Fenix died two months ago. The vet said it was his kidneys. But he was almost twenty, and he wasn’t in pain for long. I buried him out in Ripleys’ back field, that place we went to watch the meteor shower. 

OK. That’s it. 

Don’t go into the woods.

Be all right. 
- Emmett 

To: Lyciaeg@_____.com 
4/10/24 4:48 p.m. 
 
You owe me two months back rent, bitch.

That, plus half of utilities. $90 for July, $95 for August. And thanks for totally leaving me in the lurch. “Bye” spelled out in refrigerator magnets. Classy. 

I’ve tried your cell about a thousand times, but the number’s not in service. You probably stopped paying that bill too. Now I’m trying your email. Next, I don’t know. I suppose I could contact some shitty collection agency, but I’ve spent enough time and money on you. 

Some guy came looking for you, by the way. Not Emmett. Although I saw him around a couple months ago, with his haircut and his new gym rat body. I didn’t recognize this guy. He was older. Old older. He had an accent and one of those cheap leather coats that guys in bad garage bands wear. He said he knew you a long time ago. Mentioned some little town in Michigan. I thought you were from Pennsylvania. 

Whatever. Just thought I’d tell you, because I’d rather not have more weirdos from your country-trash past showing up at my door. 

Maybe it’s because of that guy, maybe it’s because Mercury’s in retrograde and my brain’s scrambled eggs, but the other night, I dreamt you were back in the house. 

It wasn’t actually our house. I mean, MY house. This was some mini-mansion with fake Italian tile and plate glass everywhere; all that tacky, fancy shit. But everything just looked dirty and sad. I heard a door shut, and I heard your voice coming from outside, calling to someone. I chased you to the back door. I wanted to kick your ass before you could run off again. 

Outside, it was night. Blue-black sky. Wet lawn. At the edge of the yard, I could see these thick, dark woods. I knew you were out there somewhere. And suddenly—I don’t know. I felt scared.  Scared for you. Too scared to even step out of the house. So I just looked. And then, right where the lawn stopped and the trees started, just past a swing set and this saggy little playhouse, I saw a shadow slowly moving along. But it definitely wasn’t yours. There was something about it that wasn’t right. Not for you. Not for anybody. 

That’s when I woke up. 

You’re a lying, manipulative piece of shit. But because I’m not, I’m telling you this. You need to be careful out there. 

If you magically become a decent person, you can mail me a check for the rent. I know you don’t have a checking account. So you should FREAKING GET ONE and then mail me a check. Installments are fine. Even an answer is fine, just so I know you’ve gotten this, and that I’m not wasting even more of my time on you.

- Nikita  

4/12/24 
Lycia—

My last letter came back to me with a big COULD NOT FORWARD stamp on the envelope, so I’m sending it again, straight to your mother’s house. Maybe she can get this to you. It’s weird, but I actually had the feeling that you’re going to be back there soon. 

I know: fifteen years of total silence, and now two long, rambling letters at once. I probably sound nuts.

But I need to get this out. I need it to get to you.

After my letter came back, I had another dream. I was back in your old house again. The place was a mess. Blankets were tacked over all the windows. Cabinets and chairs were shoved against the doors. The floors were covered with scraps of paper and stains and broken glass. At first I thought burglars must have gotten in, and I was looking everywhere for you, thinking they might have hurt you or left you tied up somewhere—but the more I looked, the more I felt sure that the house was empty.  

Martins_Breanna_TheVulture

The Vulture by Breanna Cee Martins

So I dragged that mirrored buffet table out of the way—you know the one that was always in your dining room, covered with fancy bottles, the one we used to pretend was an altar—and opened the back door.

It was night outside. The moon was bright enough that I could see the whole backyard, and the woods waiting there, so dark and thick and huge. There was your old swing set with the rusty chains and the plastic swings we’d spin around and around. There was the playhouse your dad built forever ago, but its roof was caving in, and the door was gone, and the little window box was hanging by one corner. 

And I saw him.

I never saw him before. Not awake or asleep. But I knew exactly who he was. Too tall for a person. Arms too long. Neck too long. Fingers much too long. I recognized him. 

Really, really slowly, he turned his head to look at me.

I woke up then. Or else I would have started screaming and never stopped.

I had to go kneel on the bathroom floor for a while. I left the lights on for the rest of the night. I still haven’t turned them off.

I’ve thought about writing other letters. Apologies to the Muellers. Stevie’s family. Maybe Jemma. Maybe even the Trowbridges, although god knows they probably never want to hear my name again. About once a year, I get out a pen and nice paper and sit down and try to begin. But before I can put down the first word, I ask myself, Will this make anything better for them? Or are you just doing it for you? And that’s how I’ve let myself off the hook.

But I think it might finally be time to do it. Even if it won’t fix anything for them. Even if it’s just to save me.

Don’t you wish you could cut off your past, like it was some other part of you? Like a toenail or your hair. Even a finger. I’ve thought about how many fingers I could live without. Would live without. Happily. 

Jake wonders why I’m writing so much all of a sudden: letters to you, entries in my journal, notes for the other letters I might send. I told him I was writing to my best friend, who I haven’t seen in a really long time.

“How long?” he said because he’s five, and there’s always another question.

“More than fifteen years,” I told him. And his eyes got huge because fifteen years is so much more time than he can even imagine. Sometimes it’s more time than I can imagine.

“How come you haven’t seen her?” 

And I explained something about moving away, which he sort of understands because of his father. I’m sure someday he’ll ask more questions. Big ones. I’ll have to decide what to say.  

You know what’s strange? All the things I thought adults just knew—how to clean a scraped knee, how to fix a toilet, why you shouldn’t be afraid of the dark—now I think it’s all an act. You grow up believing someone else has all this wisdom, and they aren’t scared of anything, and they understand how everything works. Then you’re the grown-up, and you realize you don’t know anything. You just have to fake it for the sake of the little people who think you do. Then they grow up and have to do the same thing. It’s this whole cycle of trusting and pretending. Not ever really knowing. No one ever really knows.

I’ve gotten pretty good at pretending for Jake’s sake. I check in his closet. I look under his bed. I promise everything’s safe, I tell him monsters aren’t real, and I tuck him in, and then I tuck in all his stuffed animals, so they don’t get angry, and I leave his nightlight on. Then I go and check my own closet. I’m usually too scared to look under my bed.

I’m not sleeping well. I’m not sleeping much at all.

When you get this, would you please call me? My number’s on the back. 

I’m sure I’ll recognize your voice, just like I could still pick your handwriting out of a whole stack of eighth-grade essays. But I can’t imagine what you’ll say. You always surprised me. You were two steps to the side of what anyone would expect. Being with you was like walking on some crazy, slanted surface, having to dance to keep your balance the whole time. 

Do you remember that bookbag we used to share? The one we’d take turns bringing to school, and on your turn you had to add something new to it: a pin, or a button, or some Sharpie art, or something hidden inside its pockets? I wonder what happened to that bag.  

I’m sure you came up with that idea too. 

They were always your ideas.

Call me when you get this. Please. 

I’m scared. I can admit it here. 

I know no one will ever see it anyway. 

- Marley 

9:58 p.m. April 13 
To: Lycia Graham (518) xxx-xxxx 
David: Hey 
 
10:01 p.m. April 13 
To: Lycia Graham (518) xxx-xxxx 
David: Where are you 
 
10:02 p.m. April 13 
To: Lycia Graham (518) xxx-xxxx 
David: ? 

About the Author

Jacqueline West is a poet and novelist living in Minnesota. Her work has appeared in Pyre Magazine, Star*Line, Abyss & Apex, Strange Horizons, and several volumes of the Horror Writers Association’s Poetry Showcase. She is also the author of several award-winning books for young readers, including the NYT-bestselling middle grade series The Books of Elsewhere, the YA horror novel Last Things, and the Minnesota Book Award-winning Long Lost. Find her at her website.

About the Artist

Breanna Cee Martins (b. 1987) lives and works in New York City. She has participated in many exhibitions including the Whitney Museum Art Party as the featured artist (New York, NY) La Luz De Jesus’ Summer Exhibition (Los Angeles, CA), Flowers Gallery (New York, NY), Palazzo Ca Zanardi (Venice, ITA), Cica Museum (Brooklyn, NY), Sloma Museum (San Luis Obispo, CA), and others. She has curated exhibitions at The Lodge Gallery, White Cube Gallery, Klein Projects, and The Lodge NYC. She was Commencement Speaker at the 22nd Graduation Ceremony, New York Academy of Art, NY alongside the artist Jenny Saville, winner of The Richard Kubiak Memorial Curatorial Award, and a Participating Artist in the Sing For Hope Piano project, under the Queensboro Bridge. MFA New York Academy of Art. Visit her at her website or on Instagram @prettyspookygirls.

Ghostfishing

By Nicole D. Sconiers

Ever since she was a quirky 13-year-old rocking sparkly headbands and hot pink velour sweatsuits, Tisa’s had problem skin. My bestie spends major coins on the latest potions to fade her dark spots, but this time she went too far. 

I first noticed how pale she was a few months ago. It was July and we were on our way down the shore to catch some rays. I’m the color of soaked almonds. Tisa’s a shade lighter, like the cap of a baby bella mushroom. She was covered up with a floppy hat, long-sleeved shirt and flowy skirt. Fuchsia cornrows peeked out beneath her hat. 

“What’s up with all the layers?” I asked when she got in the car. 

Tisa shrugged. “I don’t want to burn.” 

Something was bugging her. She wasn’t even down to take our usual Thelma & Louise going on a road-trip selfie.

When I saw Tisa a month later, she looked like a different person. Not a pimple or scar in sight. But the rich baby bella coloring had a soulless sheen. 

Memory_on_a_Hill_H.LeeMessina

Memory on a Hill by H. Lee Messina

She came over for movie night and Moscato. I tried to find a decent flick. I have my own version of the Bechdel test. The film’s gotta feature at least two Black people who talk to each other about more than oppression. We finally settled on hood horror. 

I turned to Tisa to announce that the deejay was the killer. For an instant, I looked right through the side of her face. 

I blinked. Then her face was solid again. Had to be the wine. Giving me double vision. But I knew something wasn’t right.

After Tisa left, I swiped through her IG on my phone. Looking for clues. One of her top followers was Dream_Makr, a cosmetics company. The owner was a beautiful Black lady with sculpted brows. Her skin was an unnatural grayish-brown color, like ground beef going bad. She held an elegant pink bottle aloft. Dream Maker fade cream. 

I clicked a link in her bio, which took me to her website. For only $150, you too could fade dark spots. The testimonials page featured a gallery of Black women with that same spoiled meat coloring. I clicked out of her site in disgust. 

I know a few women who bleach. There’s an unsmiling lady who’s been riding my bus since I started driving for the borough a decade ago, and I swear her skin gets lighter every year. I’d never ask the lady if she bleaches. That’s akin to asking if her hair is real. Besides, I didn’t care about that passenger, but I cared about Tisa. I decided to mention Dream Maker the next time we hung out.

Weeks would pass before I saw Tisa again.

Every time I texted to ask if she wanted to get together, she gave some excuse. Caught a cold. On the way to hang out with her coworkers at the bakery. Tisa only has a few good friends. Same as me. It’s hard finding your tribe as a quirky Black girl living in a small town. 

I’m not big on Facetime but I broke down and made the call because I missed my girl. As soon as Tisa picked up, she turned her camera off. 

“What’s going on, Sis?” I asked.

“Nothing.” Her voice seemed to be coming from far away. 

“I miss you.” 

I spoke to her profile picture, a selfie of Tisa on a beach. She wore an off-shoulder maxi dress. Her tan lines were visible. Tisa went to Cancun alone for her 30th birthday. I offered to come with. I didn’t like the idea of her celebrating a milestone bday solo, but bestie said she wanted to do something adventurous. 

“I miss you too.”

“Turn your camera on.”

“Nope. I look a mess.”

“It feels like you’re hiding from me, Tisa.”

It felt weird arguing with a pic of my brown-skinned bestie with the ocean at her back when my real friend was probably holed up in her apartment, wasting away. 

Fading away.

“I’m not hiding anything.” 

“I don’t think that cream is good for you.” I blurted it out, surprising myself and Tisa. I could tell by her silence. “I know you’re bleaching.”

She finally spoke. “I’m fading my imperfections.”

“You were perfect before.”

Tisa snorted. “Stop lying, Gloria. My skin was jacked up.” 

“Your skin is flawless now, but it doesn’t look healthy.” 

“I thought we didn’t judge other women’s bodies.”

Tisa knew that was a damn lie. We spent hours on gossip sites, ki-ki’ing at celebs with botched BBLs and overfilled lips. Now she was in her kumbaya bag just because she was transforming into one of those baddies in search of eternal perfection, no matter the cost. 

“Sis, you see all these girls on IG, slathering on bronzer, Blackfishing to the gods, and you out here erasing your melanin?” I said. 

“So? You’re too lazy to work on your flaws.”

“I’m happy being me.”

“No, you settled for being you.”

Before I could reply, she ended the call. 

After our little tiff, Tisa blocked me on social. I had to lurk to keep up with her.

Her comments struck a nerve: “You settled for being you.” She was right. I knew the struggle to love your body. When I was a kid, I got teased for having a big nose. If I were a character in a book, they’d probably describe me as “just shy of being pretty” or having “strong, African features,” as if being pretty makes you more relatable and African features are something to tone down or mask.

I revisited the bleaching lady’s website to check out the ingredients in Dream Maker. The main one listed was hydroquinone. My grandmother used fade creams containing hydroquinone back in the day. I knew long-term use caused all kinds of kidney and liver ailments and reduced skin thickness. 

I had to warn Tisa. The one place she hadn’t blocked me was on her phone. I needed to act fast before she lost more of herself. 

When my shift ended the following night, I drove to Tisa’s house. Carved pumpkins grinned from her neighbors’ porches. Orange string lights blinked inside their homes. Tisa’s house was dark. I texted her earlier: Hey, I know you’re mad. I just wanna make sure you’re eating. DoorDash is on the way. 

A few minutes before the DoorDash driver arrived, I snuck up the walkway and hid behind Tisa’s steps. I heard the rustling of a paper bag as the Dasher placed her dinner on the steps, then heavy footfalls as he left. A few seconds passed. The deadbolt disengaged. Before the screen door opened, I raced out from my hiding place and grabbed the bag.

Tisa poked her head out the door. She wore a black hoodie and a facial mask that covered everything but her eyes. It looked like I had interrupted a robbery in progress. She tried to quickly shut the screen door, but I shoved my arm through the crack. Tisa backed up. Resigned. I barged inside, carrying her dinner. 

“What are you doing here, Gloria?”

“Checking on you.”

“I told you, I’m fine.” 

I brushed past Tisa, turning on the lights. The house was quiet. She usually blasted FKA Twigs or Björk or some electronica artists I couldn’t get into. Her house smelled musty, like she hadn’t opened the windows in a while. 

I carried her dinner into the kitchen and fixed her plate. Chicken enchiladas and tortilla soup. Then I brought the meal to Tisa, who had plopped down at the dining room table. A braid escaped her hoodie. Frizzy and lint-caked.

She stared at the food but didn’t remove her mask. 

“I’m not hungry.”

“I told you that cream was making you sick, Tisa.” I slid into the chair next to her. “Please tell me why you’re avoiding me.”

Tisa was silent for a few moments. Then she pushed back her hood and pulled off her mask. I covered my mouth. Startled. Trying to process what I saw.

Or didn’t see.

Tisa’s face was there, but it wasn’t there. The earlier translucence I glimpsed that night over Moscato and hood horror was more pronounced. The blue accent wall was visible through her skin.  

“What the fuck, Tisa?”

“I know, girl. I know.” She pulled the hoodie back up. Miserable. A few fingers were fading too.

“You used that crap on your hands?”

“Everywhere.”

“Oh, Sis.” I tried not to stare at my own fingers drumming on the table. “Is it reversible?”

Tisa pushed her plate away. “I don’t know. I DM’ed the owner but she never responded. There’s no number. No address.”

“Sounds sketchy. Was there a return address on the package?”

“Yeah. Some PO box in Lagos.”

For all we knew, the mailbox was fake. I tore off a piece of chicken enchilada. Tisa wasn’t eating it anyway. As I chewed, a horrible thought came to me. What if the bleaching chick wasn’t real? I didn’t recall seeing any videos on her IG or website. Just glowing testimonials from customers. They could have been stock photos.

“What if I fade away completely?”

Tisa’s wail shook me out of my reverie. I rose. “I’m taking you to the ER.”

“Gloria, please. They’ll look at me like I’m some science experiment.”

“Well, what are your other options? You can’t sit in around with the shades drawn and avoid people for the rest of your life.”

By the expression on what remained of Tisa’s face, I knew that’s exactly what she planned on doing. I wanted to hug my bestie, but I was afraid my arms would wrap around some vaporous thing beneath the hoodie. 

“I’m gonna find a way to help you, Sis. I promise.”

Tisa walked me to the door. We stood there awkwardly. It felt weird parting without touching. I gave her a church hug then jogged down the walkway to my car. When I looked back at Tisa’s house, her lights were off. 

I started researching Dream Maker as soon as I got home. Cyber surveillance ain’t my lane. As Erykah Badu sings, I’m an analog girl in a digital world. But I had to try. 

I did a reverse image search on the bleaching lady’s photo. The matches that came back were close, but not her. She looked like a million other contoured, filtered girls. I did the same reverse image search on the customers from her testimonials page. Just as I suspected, they were all stock photos. 

I sucked my teeth. Angry at Tisa for trusting this stranger with her precious skin. On a hunch, I went to YouTube. There had to be an influencer doing a review of Dream Maker. Maybe she didn’t use the product long enough for the melanin erasing to take effect.

I found one review. Sierra_Beauty. A brown-skinned woman with glossy lipstick and a twist-out with purple highlights. Her last video was posted two months ago. In it, she held up that dainty bottle of Dream Maker. 

“No more hyperpigmentation, Beauties!” Sierra gestured to her smooth ashen skin. “Level up your nighttime routine—”

I stopped the video, touching my face. I didn’t have a nighttime routine. I washed with Noxzema in the morning and that was it. I shuddered to think of the soaked-almonds skin that had shielded me from the elements and connected me with billions of other melanated folks rapidly fading away.

The comments beneath the video were turned off, but Sierra’s business email was listed. I sent her a message with Dream Maker Serious Side Effects in the subject line. 

I washed my face before I got in bed. The first time in a while. As I lay in the darkness, I called up Tisa’s IG on my cell phone. She had unblocked me. I swiped to the last post. She sported electric blue cornrows trying to pretend it was a recent photo. I commented, We’re gonna hang out again soon, bestie.

But I didn’t know if we would ever hang out again.  

Sierra never replied.

I checked my inbox every day for weeks, but I never heard from her. 

I stood in the foyer at Thai Castle one night, searching my inbox as I waited for my order. I started taking dinner to Tisa. She claimed she was still able to eat, but she stopped letting me inside her house. I had to drop off her meals on the steps. 

I glanced around the room. It was the only Thai restaurant in Wing. For years, our small Pennsylvania town only boasted three cuisines besides American—Italian, Mexican and Chinese. Tisa convinced me to go to Thai Castle when it opened last fall. She knew I wasn’t adventurous. I’m a hoagies and burgers kinda girl.

I felt sick thinking of all the things me and bestie might never experience. We might never again take a trip down the shore, never take another Thelma & Louise style selfie before hitting the road. 

Regret encircled me, as heavy as the brass elephant sculpture in the foyer. As I grabbed my bags from the hostess, an email notification popped up on my phone. From Sierra. Three words: Can you talk?  

“I had to make sure you weren’t with that company.”

The voice on the other end of the phone sounded far away.

“How do you know I’m not?” I asked Sierra. 

“Well, you were sus at first. Not many IG posts, like a bot trying to create a fake identity.” There was a pause on the other end. “Then I checked your followers. Saw a girl with a washed-out skin tone.”

“Tisa. My bestie. I gotta find a way to help her,” I said. “Is it reversible?” 

“There’s a solution.” Sierra puffed on something. “But it’s drastic.”

I gripped the bag of Thai food. Dinner was cold, but Tisa could warm it up. 

“What is it? My girl is desperate.”

Sierra took another drag of whatever she was smoking. “Let’s chat in person.” 

Sierra lived in Maryland. She wouldn’t say where, but she agreed to meet me in Middletown, Delaware. It would take an hour to drive there.

It was 7:30 when I dropped the food off at Tisa’s house and hit the road. Traffic had died down on the Blue Route.

Finally, I arrived at our meeting spot. Middletown was an idyllic little place right out of the 1950s with colonial homes and Mom-and-Pop shops. I parked near a playground and left the engine running. The area seemed creepy with no streetlamps. Ten minutes later, headlights gleamed in my rearview. A black Kia pulled up behind my car. The driver didn’t get out. I squinted at the front license plate. Maryland tags. 

I opened the door, walking slowly toward the Kia.

The windows were tinted. As I approached the driver’s side, the window lowered a crack. 

“Get in,” Sierra said. 

Relieved, I made my way to the passenger side. The dark windows prevented me from seeing who else was inside. I hoped it wasn’t a trap.

There was a click as the door unlocked. I expected the dome light to flash on when I opened the door, but it didn’t. An Afrobeats song played softly on the stereo. A ring of smoke hung in the air. Sierra was vaping.  
But no one was in the driver’s seat.

A vape pen hovered in midair. After what happened to Tisa, I wasn’t shocked at the sight of the floating device. Just numb. As I took a seat, my hand brushed against something tangled on the console. A wig. 

“Not what you were expecting?” Sierra asked.

“I don’t know what I expected.”

That’s not true. I expected to see a whole woman, someone able to drive without causing a stir. My stomach burned. I didn’t know how Sierra would be able to save my bestie when she hadn’t been able to save herself from the devastating effects of this toxic cream.

Sierra killed the engine. We stared straight ahead at the back of my Honda as she vaped. How ironic that the smoke rings she exhaled were more visible than she was. I fiddled with my keyring, wondering about the drastic solution she proposed.

Before I could ask, Sierra said, “There are more GFs than you think.”

“GFs?”

“Ghostfishers.” 

I turned to look at her–or at least look in the direction of the curling smoke. “That’s what you call yourselves?”

“Yeah. Like people who catfish, cosplaying as someone they’re not.” The leather squeaked as she shifted in her seat. “One of the girls came up with the name. A GF from Detroit. She joked that we faded our skin on purpose to attract ghost baes.”

“Boos.”

The smoke spewed out in a jittery cloud as Sierra laughed. “That’s a good one.” Then she grew serious. “I never bought that stuff to look whiter. I just wanted to get rid of my dark spots.”

“So did Tisa.” 

“I lost so much more than my so-called flaws. My family. My job. My fiancée.”

“You said there was a solution. A drastic one.”

“There is.” The vape pen floated down, clinking in the console. “You have to abandon life as you once knew it. Go underground.”

My stomach roiled again. “That ain’t no damn solution. Tisa has a life here.”

“Had.”

“There gotta be some GFs who are more visible than others. Can’t they go to the police?”

“And say what? ‘Hey, guys. We were conned into using a cream that fades us out of existence?’ Girl, please.

That would really put a target on our back, especially the fully faded ones. We’re accidental spies. You know how dangerous that makes us?”

I hadn’t thought about that. Being invisible could be a valuable weapon. So why had the manufacturers targeted Black women? Maybe Dream Maker was genocide in a bottle and invisibility was an unintended side effect. 

“How come you’re not warning folks about this toxic shit?”

“You don’t think we tried? In April, a GF from Houston posted a video on the dangers of Dream Maker. She was just pale then. But the video got taken down. Her channel got deleted. Her socials. It was like she’d been scrubbed from the internet. I didn’t remove my review because I thought it could be a beacon for other users.”

The engine hummed to life. “I have to get back for dinner,” Sierra said. “My ex-fiancée puts a plate in the windowsill for me every night.”

My mind drifted to my bestie. As if reading my thoughts, Sierra said, “We need more GFs to help us fight.”

“Tisa’s not a fighter.”

“All the more reason to join us. We’re gonna figure out who runs Dream Maker and take them down. We have ghostfishers in Canada. Brazil. Nigeria. She needs to surround herself with a tribe who understands.”

“I am her tribe.”

I opened the door and stepped out. I stood there for a few minutes, staring at the wig discarded on the console. It was black with hot pink highlights. A pretty fly disguise. Even invisible girls have the need for a vibrant life. 

I closed the door. The Kia pulled off down the street.   

I drove back to Wing, reflecting on the ghostfishers. Even though their sisterhood was formed under extreme circumstances, I felt a twinge of envy knowing a secret society of invisible Black women existed. I always get left out of everything. 

I didn’t tell Tisa about my meeting with Sierra. I had all but promised my bestie I’d find some way to heal her and I failed.

I started avoiding Tisa. I felt like a coward on my bus route. I was responsible for hundreds of people getting safely to their destination, but I couldn’t protect my girl. 

After a few weeks of dumping food on Tisa’s steps and taking off, I got over myself. I had to let her know there was an option. Although it was radical, she wouldn’t have to be alone. 

A jack-o-lantern seemed to blaze from every porch as I drove down her block. One neighbor had a huge plastic skeleton positioned in the yard wearing a green Eagles t-shirt. Halloween is a high holy day for most residents of my small town.

Tisa’s house was dark as usual. I grabbed the dinner bag from the passenger seat. Thai food again. I bought a container of drunken noodles for myself. I hurried up the walkway, still wearing my work uniform. As I approached the door, I paused. 

Last night’s dinner was still sitting on her steps. A tuna hoagie with extra onions and olive oil. Grease seeped through the white paper bag.

I tried not to panic as I banged on Tisa’s screen door. I hoped she hadn’t grown so despondent that she hurt herself. I fished in my purse for the spare key and let myself in.

There was a hollow click as I turned on the light. The house was still. 

“Tisa! Are you home?”

My bestie wasn’t much of a house cleaner, but there was more dust than usual. On the baseboards. On the picture frames lining her accent table. I glanced at a photo of us. Our last Thelma & Louise selfie before our road-trip to Atlantic City the year before. Two carefree brown girls about to soak up the sun. 

“Tisa? You didn’t eat dinner last night.”

I stood in the doorway of her bedroom and flicked on the light. The comforter was jumbled, as if she had kicked it off in a hurry before leaping out of bed. I waited in the musty silence, trying to detect movement. Even if she were hiding from me, I would still be able to feel her presence. Hear her breathing. The only sound was the muted drone of a vacant house.  

Tisa’s laptop was in sleep mode on her desk. I knew her password. 0825. The day Aaliyah’s plane went down. It’s harder to forget something associated with tragedy. 

I typed in her password. The sleeping laptop awakened. The first thing I saw was a YouTube page. The video was paused on Sierra’s smiling face holding an elegant pink bottle aloft. 

I closed the laptop. Stunned. Did Tisa meet up with Sierra without me? How did she drive? Her car didn’t have tinted windows. 

I rushed back outside. I needed air. Tisa hadn’t left for good, I convinced myself. I didn’t see a goodbye note, and she wouldn’t do me like that. Maybe she just went for a walk. 

I trudged back to my car. The twinkling orange lights in her neighbors’ windows taunted me. All the houses on the lane seemed filled with a glowing expectancy of some coming celebration but nobody left any snacks for me.  

Some days when I maneuver my bus through the streets of Wing, a Black girl standing at the bus stop catches my eye. She twirls the ends of her hot pink braids as I pull up to the curb. The girl nods at me as she boards and taps her keycard on the validator. Then she strolls to her seat.

It’s nearly Thanksgiving. Tisa’s mom has been blowing my phone up, but I can’t bring myself to talk to her. She knows me and Tisa are joined at the hip. How could I explain that her daughter has chosen an unfiltered kind of sisterhood where she finally feels seen. 

At least, that’s what I think Tisa did. I emailed Sierra but she never responded. I hope she’s okay. I hope all the GFs are. I hope Tisa finds that neon life she always craved. I like to picture her gliding along the beach at midday, arms outstretched, no longer hiding from the sun.

I still leave a bag of food on her steps every night. 

Just in case.  

About the Author

Nicole D. Sconiers is the author of Escape from Beckyville: Tales of Race, Hair and Rage, a speculative fiction short-story collection that has been taught at colleges and universities around the country. Her work has appeared in Nightmare magazine, Lightspeed magazine, Speculative City, NIGHTLIGHT: A Horror Fiction Podcast, and PodCastle. Her short story “A Bird Sings by the Etching Tree” appeared in the New York Times bestselling horror anthology Out There Screaming: An Anthology of New Black Horror, edited by Jordan Peele and John Joseph Adams. Out There Screaming recently won a Bram Stoker award.

About the Artist

H. Lee Messina is an east coast native, self-taught artist, and owner of The Dutch Spork. The bulk of her creative work includes mixed media collage and digital paintings utilizing magazine clippings and a simple drawing table. You can view more of her work here.

Bury My Heart with the Artichokes

By Jonathan Mann

Bury my heart with the artichokes, Grandad says, peeling open his chest so his granddaughter can reach in. Understand that she’s the type of girl who steals her mother’s Sharpies and draws Barbies on boys’ white Nikes when they’re not looking. She’s never been given a more serious request, so she follows Grandad’s orders to a T, cupping the clogged heart in her small hands and planting it by the artichokes and in between the tomatoes and cucumbers in Grandma’s garden. My heart’s only going to get smaller if it remains in me, he explained, which is why you must plant it

When she returns to visit Grandad, he asks her to place his eyes atop the oak fireplace mantel next to the family photos in gold dollar store frames. He hands her a silver surgical spoon, and after she scoops out his blue eyes, she places them in perfect view of where the ladies of the family will have tea on Tuesdays and where the grandkids will tear red wrapping paper on Christmas. Before long, the granddaughter realizes Grandad is falling apart, and when she begins to question her actions, he reassures her that she needs to disperse the pieces of him around the house like a pirate’s treasure.  

Walking_Nightmare_WarrenMuzak

Walking Nightmare by Warren Muzak

Next, Grandad proffers her a scalpel for his big hairy ears. Though she finds it a bit odd, she super glues his ears to the bulky black stereo in the garage. So we can listen to Bob Seger and Taylor Swift on cool summer nights, he explains. The more she takes from Grandad, the more he falls apart. But she cannot disappoint him. She sets his mouth by the billiards table so he can talk smack with the guys. She hangs his nose by a wire in the kitchen so he can smell Grandma’s freshly baked coconut cream pies. 

The granddaughter eventually asks her Grandad why he gave her this request instead of her parents, or her cousins, or her Jesus-looking uncle who lives in Utah. You’re smart enough to figure it out, he says. Now here’s a saw for my brain

After mounting the slimy pink organ by Grandad’s Dime Westerns, placing his liver behind the shelf of half-drunk bourbon, and his lungs beside ashtrays, the girl visits him for the final time. She asks Grandad if he wants her to take his bones or his kidneys, but he doesn’t respond. Within the silence, it’s obvious he has nothing left to give. 

The granddaughter grows up and moves to a college out east. She’s dead set on trying new things like lobster rolls and mushrooms from the RA across the hall, but these things come and go. Eventually, her family sells the house where she had dispersed Grandad’s pieces. The new owners ditch the garden, sledgehammer the mantel, break down the billiards table and burn the Dime Westerns. When the granddaughter comes back after so long, she hops the fence while the new owners are asleep and silently paws at the spot where she had buried Grandad’s heart. Though, a dense layer of earth has pushed the heart deeper than what she can dig for. But that’s okay. She smiles and thinks about the artichokes—how the heart is always there, just protected within layers of petals.  

About the Author

Jonathan Mann was born and raised in Michigan and is a graduate of Hope College. He is currently pursuing his MFA at Butler University, and his work has been featured in Stoneboat Literary Journal, House of Zolo’s Journal of Speculative Literature, and plain china. He formerly served as the co-fiction editor of Booth and works as an English teacher. You can find him at his website.

About the Artist

Warren Muzak's passion for illustrating started early, captivated by the visual narratives found in comics. He studied Graphic Design in college and from that worked at a few print-shops in pre-press. His abilities creating digital art got him a job as a production artist for a high-end carpet manufacturer where he took beautifully hand-painted gouache artboards and redrew them digitally to be used in manufacturing. In 2016, he met a seasoned UK stop-motion animator while working under contract for a small media production studio. This sparked a new direction—2D animation. Warren embraced it, finding a natural knack and genuine joy in the work and atmosphere in the studio. By 2018, freelancing became his full-time pursuit, honing his craft through persistent bids on online platforms.  

 

Simulated Cemetery

By Chloe Spencer

“Promise me you’re not going to be dicks and laugh if I puke again.” 

Nina wobbled around in a circle, arms outstretched, her hands clenching the awkward controls. No matter how many times she had used this VR headset, she could never get used to its weight around her head. She felt like she was simultaneously being squeezed and dragged down; like it was a noose dangling her over a precipice, and her unsteady feet were about to give way. Her knee bumped into the corner of her desk and she hissed in pain through clenched teeth. Over her headset, the voice of Scott—affectionately known as Scooter—echoed, thick with phlegm. He was finally getting over a cold. “If you blow chunks, we’re absolutely making fun of you, dude.”  

“Yeah,” Marsh added, laughing. “How are you not used to this by now?” 

“Marsh-all!” Amorie drawled; her whiny Californian accent as pungent as Stilton cheese. It felt like nails on a chalkboard whenever Nina heard it—and unfortunately since she and Marsh had crossed the six-month mark, she was hearing it now more than ever. “Don’t be so mean-uh!” 

forest_michaelkatchan

Forest by Michael Katchan

Nina rolled her eyes. Why Marsh thought she should be invited to their hangouts, she didn’t know. Since they graduated from high school, this had been their thing: no matter where they were in the world, one virtual hangout every Sunday night. Every time Amorie dropped by it felt like a foul desecration of a sacred ritual. Her presence was a sign that they had grown too old, too far apart—even though Scooter and Nina hadn’t moved forty-five minutes from their hometown, and only Marsh was half a world away, on another coastline entirely. The purchase of these VR headsets had been their last chance to salvage a night they had long grown bored with. 

“Maybe I’d get used to it if you guys didn’t pick all those fast-paced games,” Nina retorted, and the boys laughed and cajoled her. Their shit-talk made her smile. It always did. “Pick something fun but not nauseating.” 

“Ooh, she wants something fun, does she?” Scooter chuckled. “Let’s see what I’ve got here…”

Through her visor, Nina could see the VR meeting room, a blue expansive space where thin white lines intersected and loud Nightcore-esque music played. Their three characters, each resembling bowling pins with floating, disjointed limbs, gathered in front of her. Scooter’s character, distinguished by his black hair and cartoonish eye-bags, turned away from the group and reached forward, his hand smacking at nothing. A white menu, comically large like a Rolodex for a god, sprang to life from the nothingness, filled with colorful photos of games and teeny titles underneath. The font was so small on this damn thing that Nina could never tell what she was looking at, but Scooter played this constantly, so she always defaulted to him to select something. She tried to ignore Marsh and Amorie’s characters giggling and grinding against one another. Amorie kept glitching as she bent over to grab her thin ankles while Marsh slammed into her from behind. How they managed to make nonsexual bodies so lewd disgusted Nina on a spiritual level. 

Ugh, another wave of nausea. She lifted her headset ever so briefly to grab a drink from her emotional support water bottle, then resumed the game. Amorie and Marsh had now gathered behind Scooter, looking up at the array of games he was flipping through.  

“Where’s the one where you cut the fruit?” Amorie asked. 

Nina had never seen her in real life, but for some reason, she always pictured Amorie as a mouth breather, lips perpetually parted after every sentence as though talking caused all the oxygen to leave her body and made her brain tingle from numbness. 

“That’s Fruit Ninja,” Marsh said. “Ten years too old for this system.” 

“Ohh.” 

“Didn’t you mention that there was some cottagecore fantasy game you wanted to check out?” That sounded like a pleasant evening. Building houses in the gentle woods, with no fear of monsters. Sitting around a campfire and pretending like she could feel the warmth of the flames against her hands and her friends' bodies beside her shoulders. “I’d be down for that.” 

Marsh clicked his tongue. “Ehh, I don’t really want to build anything right now.” 

“We’ve been playing too much Stardew Valley,” Amorie said. 

“Maybe next time?” Scooter suggested. “I’ve got something special to check out, anyways.” 

The menu stopped on a photo that was pitch black. Nina squinted to read the title.

SIMULATED_CEMETERY. 

“Spooky!” Amorie giggled. “That sounds perfect!”

“What is this?” Marsh asked. “Did you build it, Scooter?” 

“Yeah! I took some environment files off  Sketchfab to play around with.” 

“Wait,” Nina said, “so this isn’t a game? It’s just a level design?” 

“Yeah, but it’s a massive one. And you’ll like these renders, Nina. They're incredible. I added some bug and bird models to make it feel more alive.” 

“We can try it,” Marsh said. “Maybe it’d be best to keep it short tonight, anyways. Amorie and I were thinking about catching a late-night showing of Hereditary at the art cinema.” 

“You dorks would actually spend money going to see a movie you can stream?” 

“It’s in 4K.” 

“Okay,” Nina interjected, irritation taut in her voice. “Let’s go, then. Start it up, Scooter.” 

Scooter pressed his hand against the black image, and then suddenly they were all immersed in a dark void, with no sense of direction and no music. Amorie and Marsh giggled and chased each other across the virtual environment, effortlessly scaling nonexistent walls and scrolling from side to side. In her own reality, Nina squatted and sat down on her exercise ball, trying to control her breaths. This was always the worst part of this system: no formal loading screens, only infinite darkness. 

Then suddenly they were free falling, their characters spiraling down onto the murky gray map below. Instinctively Nina leaned down, stomach gurgling with frustration, as she watched her character hurtle closer and closer to the earth. A flash frame later and then she was there, feet on cracked concrete, her eyes staring at a few millipedes inching their way to her toes. She grimaced and stomped on them, but they phased right through her feet. 

“Grody,” she said. 

“Nina,” Scooter laughed. “Look over here.” 

She jerked her head up and over, and her eyes widened at the expanse before her. Scooter had shown them his games and level designs before, but this was by far the most detailed environment she had ever experienced. Arrays of mausoleums and tombstones, weathered from age and stained from decades worth of rain, stretched out before her. One small plot of grass remained unoccupied. An iron wrought fence that was probably ten feet high separated the cemetery from the shadowy woods, consisting of a diverse array of firs, elms, and oaks. Looking from left to right, she could see an endless asphalt road stretch into a misty horizon; through the clouds, a charming little red farmhouse sat, probably out of bounds. It was more picturesque and gorgeous than real life could ever be. 

Then again, Nina didn’t know for certain. She had only visited a cemetery once before. 

“Holy shit,” she breathed, and Scooter cackled with excitement. “Holy shit!” 

“This won't fry my computer, right?” Marsh grumbled, taking a few tentative steps into the cemetery. “What engine is this? Unreal?” 

“You think Unity could pull this off?” Scooter traipsed after him, and they wandered between the aisles of graves. “Or Godot, for that matter?” 

“Don’t be a dick. This could totally be CryEngine.” 

“When was the last time anyone used CryEngine?” 

“2017? For Prey?”

“That’s forever ago in game dev years. Unreal all the way, baby.” 

“Nina, tell him that CryEngine isn’t that old.” 

Nina pressed down on her control triggers and slowly pushed her way into the cemetery. She didn’t know how they could move so effortlessly. Operating this thing sometimes felt like driving the forklift at her old Home Depot job: hovering above ground, slowly inching forward, arms outstretched to grasp at things that weren’t there. When playing VR, she felt like a passenger in her own body. 

“Nina?” Marsh prompted again, tense. 

“I don’t know enough about any of the engines.” 

Unlike them, her interest in game development was just a hobby. She only occasionally played around in Naninovel and RPGMaker. Constructing a 3D environment was the kind of arduous task that Scooter was good at. She just wanted to write stories about gorgeous long-haired men smooching on her (and each other) in an isekai world. 

Marsh abruptly turned away from her. She couldn’t see him doing it (their character models simply didn’t have those functions) but she knew he was shaking his head at her in disappointment. Thankfully, she was too distracted to give his childish attitude any thought. The attention to detail here was immaculate. Beneath her feet she could see grains of gravel, each outline clearly visible. It wasn’t some stretched out jpeg texture; everything here had been individually modeled. Even the gravestones had unique names chiseled into them, along with epitaphs and year counts that contrasted one another. Wanda Willows, 1913-1980. Quincy Montgomery, 1935-1967. Miranda Johnson— 

—she stopped dead in her tracks. Miranda Johnson? Miranda Johnson. Clear as day. And the years aligned. Chills ransacked her body. Had Scooter put this in here as some sick little Easter egg? Just before she was about to demand what the hell this was doing here, Amorie interrupted. 

“Can you go inside these?” she asked as she floated over to one of the mausoleum doors. 

“One of them, yeah. I forget which one though.” Scooter approached the other structure beside hers, then pushed on the door. “Nope, not that one.” 

Nina took a deep breath. Miranda Johnson was an extremely common name. The years inscribed below could’ve been coincidental. She didn’t want to spiral into some accusatory rant that would further add to the tension within their already fragile friendship. Instead, she bit her tongue and joined them in going door to door, spamming buttons in an attempt to open a building. The second one that Nina approached creaked open, although she could swear she hadn’t pressed the button yet. 

Scooter cheered. “Keena Nina strikes again!”  

Inside was a descending tunnel lit only by torchlight. Flames twinkled as they passed, echoes of orange embers blending with their shadows on the walls in an effortless watercolor. Rows of circles were etched into the stone walls like scales. Above one landing, an archway stood, a menacing gargoyle head mounted to its center. It bared its teeth at all those who approached, stone eyes forever encased in blistering rage. Unsettling feelings—or perhaps more nausea—bubbled in the pit of Nina’s stomach as she proceeded down the steps after her friends.

“So, someone built this? And posted it to a gallery for free?” Marsh asked. 

“Yeah.” 

“Why?” Marsh stopped to inspect the inscriptions on the walls, written in what Nina could only assume was Latin. “Doesn’t this mean anyone can use it for their games now?” 

“Under the license, you’d have to credit them for their work,” Scooter said. “It’s just something to play around in. People like to show off their art, y’know?” 

“But for free? This had to have taken weeks.” 

“You can’t make people pay for your portfolio. You’re just supposed to have one. How do you work in this industry and not know that?” Scooter grabbed one of the torches off the wall. “Once I add some more things into this environment and get a little story going, I think I'll add it to my itch.io page.” 

“Isn’t that stealing?” 

“Again, not if I give them credit. Is your head up your ass, bro? Why aren’t you listening to me?” 

“You guys-uh, stop arguing,” Amorie whined. “Scott, what’s down here, anyways?” 

“We’re getting to it. Just a little further down.” 

Around and around they went in a hypnotizing spiral. Nina counted each landing they passed. Six, seven, eight… Whoever had designed this place was deeply dedicated to their craft. Most indie developers would stop after the second or third staircase. The further down they went, the louder their footsteps and voices echoed. All the while, Nina had to fight the queasiness that rumbled in her stomach, low like thunder.

When they had finally reached the bottom, a massive set of wooden doors greeted them, with iron door knockers nearly half the size of their heads. The mahogany that comprised them was so deep and rich they might as well have been made from chocolate. Nina's fingers traced the individual grooves of wood on their surface. Oddly enough, she thought she could feel the little bumps, although she knew her hands were grasping the controllers. 

Scooter pushed open the door, revealing a chamber. There was an ornate red rug, several paintings mounted to the walls, and pieces of Renaissance-era furniture; tufted armchairs and hand carved wooden pieces galore. 

“So, I think that whoever built this wanted it to be like, a secret spooky cave for a boss vampire or something,” he said as he led them inside. “Pretty cool, right?” 

“It’s so pretty,” Amorie murmured. “And very Skyrim.” 

“I was going to say Morrowind,” Nina mumbled. 

Marsh drifted over to a dresser. He pulled open the drawers and peered inside, fumbling through boxes of clothes. “I bet the dude who made this works for Bethesda or something.” 

“Guys, come look at this.” 

Everyone gathered behind Scooter, who stood in front of a wardrobe at the wall opposite from the entrance. His character cracked open the doors and sat inside, closed it, then exited. 

“That’s not going to take you to Narnia, Scoot,” Marsh said, and Amorie giggled. “What’re you doing?” 

“I can’t hear you guys when I go inside the wardrobe,” Scooter said, laughing. “Try it.” 

Marsh stepped inside and closed the doors. “Guys? Hello?” 

Nina was confused. His voice sounded muffled, edited as though it was in-game audio, but when they spoke to each other over the headset, it was normally clear. This wasn’t Phasmophobia; this was just a simple level design. No audio effects should’ve been inputted into these files… unless Scooter had done something and was trying to prank them, but from the excitement in his voice, it seemed like he hadn’t planned this. 

Marsh stumbled out into the open. “Goddamn, it’s like a sensory deprivation chamber in there. I can’t even open the menu.” 

“I think it was supposed to connect to another area, or another map, and that’s why it’s all glitched out like this. Cool, isn’t it?” 

“If by cool, you mean terrifying.” 

“I want to give it a shot!” Amorie declared, propelling herself inside the wardrobe. 

The doors closed behind her. For several moments they waited. 

Scooter nudged Marsh, chuckling. “She’s sick and tired of hearing your voice. That’s why she ain’t leaving.” 

The doors didn’t budge. Marsh attempted to open them, but it only elicited a knocking sound; the telltale sign that something was locked. 

“Amorie?” Marsh tried the doors again. “Aww, shit. She’s stuck. We’re going to have to restart the game.”

A cry, high-pitched and dripping with terror, split through their headsets. Nina’s controller-holding hands flung up to cover her throbbing ears. Distorted audio intercepted Amorie’s voice, which dispersed into shuddering sobs. 

“Amorie!” 

“Dude, why are you yelling? Aren’t you in the same room as her?” 

“No, she’s at her place. Amorie! What’s going on?” 

A loud CRASH-THUMP, like the sound of someone knocking over furniture. Another surprised squeal that accelerated into a scream. Amorie spoke words but all that came out was garbled radio fuzz and more tears. It was like she was on a highway in the middle of nowhere and her cell connection had cut out.

“Fuck,” Marsh said. “Can we pause?” 

They listened to the sounds of Marsh removing his headset, the soft clunk of him setting it on his desk. Faintly, Nina could hear him calling Amorie’s number, murmuring to himself to stay calm while he waited for her to answer. 

“Are you thinking what I’m thinking?” Scooter asked, but he didn’t wait for a reply. “Why the hell would he invite her? She doesn’t even regularly play games like we do.” 

For some reason, Nina felt defensive. “She’s Marsh’s girlfriend. We should be nice.” 

“Yeah, we can be nice, but does she have to come to this? We haven’t needed another girl in the group since Miranda.” 

There it was. The scarcely mentioned fourth friend. Even though she was ostensibly missing from their get-togethers, she was always on their minds. For some reason this whole ordeal reminded Nina of the night they lost her. Marsh mumbling on the phone in the background, trying to talk to the police. Scooter disassociated and yet his voice thick with emotional tension. And Nina, trying to play the peacemaker, trying to keep them all calm, trying to ignore the fact that they had found her swinging from the branches in her backyard fifteen minutes too late. 

She had taken down their tire swing in order to do it. 

“Did you put her into the game?” Nina whispered. 

“What are you talking about? Who?” 

“Miranda.” 

What?” 

“There’s a gravestone outside that had her name and—” 

The wardrobe door creaked open, but Amorie wasn’t inside. Instead a distorted character figure, completely pitch black and faceless, had taken her place. It sat cross legged in the center. Just the sight of it made the hairs on Nina’s arms stiffen with fright. You couldn’t cross your legs like that in VR. It wasn’t possible.

“What the fuck is that, Scooter?” 

Although it made no effort to move from its resting place, she backed away. Its head hung low between its shoulders, as if it was staring at the ground, as if its neck was broken— 

—no Nina, don’t think about that. 

“Uh, I’m not sure?” Scooter tried to play it off casually, but she detected the fear in his voice regardless. He retreated beside her. “Could be a glitch. Maybe a missing character model?” 

“I thought this was just a level design.” 

“Sometimes random files sneak their way in.” 

“And you didn’t put it here?” 

“No. It took forever just to figure out how to get this to load in VR.” 

A jumpcut. The figure uncrossed its legs, its hands firmly placed on the edge of its seat. Its head was now raised, staring directly at them. No, staring directly at Marsh, whose abandoned character model stiffly stood, completely oblivious to what was going on. 

Nina called his name, but it was useless. Without the VR headset on, he couldn’t hear them. But his microphone continued to pick up sound. His voice was low, droning, like buzzing bees outside a festering hive of honey. The glitch unsteadily lurched forward, moving like a possessed marionette, its arms wide, its neck twisting. 

Nina nudged Scooter. “Close the game. Now.”  

“I can’t open the menu. I think it’s going to crash.” He audibly gulped down a nervous lump in his throat. “Can you relax? You’re freaking me out.” 

Suddenly the figure stood completely erect. Its hand snapped to Marsh’s shoulder. And over the speaker, they could hear the confusion in his voice. “What’s going…” was the most that Nina could make out, before a blood-curdling scream erupted. In front of them Marsh’s character crumpled pixelated brick by brick, his knees snapping and bending under him, his head swiveling in an erratic, fast-moving circle. His mouth melted to the end of his chin and kept stretching until it reached the floor. His pupils bled with the cartoonish corneas of his eyes, spreading outwards, goring the little avatar from the outside-in. All the while, the mysterious glitch kept its hand pressed to Marsh’s disappearing shoulder. 

Nina screamed his name again, but she knew it was too late. Whatever was in the room with them here was in his reality, was in all their realities. The room began to flicker around them, and a blackness, like a virus, slowly began to eat away at this existence. She ran, Scooter following close behind. He dropped the torch as they made their way up the second flight of stairs. It clattered against the floor in an explosion of sparks before being swallowed by the ever-encroaching void. Behind them they could hear the footsteps of the figure, stuttering like clicking noises on a typewriter, horrifically close and disorientingly loud. 

“Why is this happening, Scooter?” 

“I don’t know!”

“Bullshit, Scott! You know!” 

Nina collapsed onto the floor and shrieked in terror, only to realize she hadn’t fallen in the game; she had fallen off the exercise ball in her bedroom. She scrambled to reorient herself, leaping to her feet. He called to her, begging her to stay with him. They sprinted as fast as their virtual bodies would allow. Sweat poured down Nina's forehead, causing the screen to flicker. 

“The level designer might’ve been dead! That’s all I know!” He stumbled up a step, panting through gritted teeth. “There might have been this black, in-memoriam banner on his page or something—” 

“—You’re stealing a dead person’s work?!” 

“For the third time, this is a Creative Commons license! Attribution required!” 

“Yeah, but are you allowed to fuck with it?! You’ve already changed it!” 

“Oh my God,” he gasped. 

In a split second, he disappeared from her peripheral vision. She whipped around to find him standing tall at the mouth of darkness, calling down to the rushing figure below. 

“Bro! I’m sorry! I won’t remix your shit!” 

Mesmerizingly, the figure snapped in front of him, its hand outstretched. At its touch, Scooter instantaneously collapsed, and he shrieked in agony. Red erupted over his ivory-colored body, eclipsing the clothes he had lovingly equipped and designed so long ago, when they had first started this whole mess. Nina could ignore the gurgling of her stomach no longer. Hot bile, ripe with acid, eviscerated the back of her throat like thousands of little knives, covering her hands, dribbling down the front of her shirt, flooding the spaces between her toes. Too dizzy, she couldn’t hope to turn around and move anymore. Sobbing, she threw the controllers on the ground and removed her headset just before Scooter evaporated from existence. 

Standing across from her was the same figure, her limp head swinging between her shoulders. Without the fuzziness of the in-game vision, her features were slightly more defined. There was that soft ski-slope nose Nina remembered, the braided fishtail that had trailed down the center of her back, and—same as the day they found her—the outline of a polo shirt collar and pleated skirt. Still no eyes or mouth, but she didn’t need them. Her arms stretched outwards, inviting her for an embrace that said everything she needed to. 

Suddenly Nina didn’t feel sick anymore. Tears welled in her eyes as she stumbled forward to meet it. “Nothing’s been the same without you.” 

In the game, all the characters were gone, but the system did not return to the main menu. The camera, now distracted by its lack of participants to lock onto, floated upwards, clipping through the floors and stairs, out of the mausoleum, climbing higher into the sky. In the cemetery’s empty plot, four more tombstones materialized.  

About the Author

Minnesota native Chloe Spencer is an award-winning writer, indie gamedev, and filmmaker. She is the author of multiple sapphic horror novellas, novels, and short stories. In her spare time, she enjoys playing video games, trying her best at Pilates, and cuddling with her cats. She holds a BA in Journalism from the University of Oregon and an MFA in Film and Television from SCAD Atlanta.

About the Artist

Michael Katchan is an illustrator in Denmark. He's addicted to coffee.

Pet

By Justin Johnson

Oreo was so still, patient. Not even his tail wagged at the noise of grain-free freeze-dried meat squares sprinkled onto the thin metal of his new bowl. His head moved, followed my movements as I closed the bag and placed it away in the small cabinet above the kitchen sink. I put the bowl in front of him. He looked down at the bowl, and back at me. I mimed the action of picking up a piece, putting it in my mouth and eating. Still, he waited. I grabbed a smaller square of the expensive pet food, held it to his nose. I didn’t feel that inhale-exhale from him. I ate the piece in an exaggerated way, loudly chewing it with my mouth open. It was fine. He watched this; the two thick black spots that gave him Groucho Marx eyebrows lowered to the bridge of his forehead. He was a beautiful dog. A mix of something and something that mostly drowned in the overbearing genes of his Husky heritage. He was mostly black or white depending on which way you petted through his hair. As he ate crunches cracked through the empty apartment. I told him his new name. Juneau, so he would be closer to his heritage.

That night, I left my bedroom door open. That night, Juneau jumped onto the bed. He lay next to me, and I ran my hands through the whorls of his fur, my fingers gliding along his ribs. 

priest_michaelkatchan

Priest by Michael Katchan

The next morning, he was gone. I called for him, but he did not respond. I found him in the study and sometimes in the spare bedroom when the futon was pulled out. He stared at one of the bookshelves. The one with the jars. I turned on the green rope lights I installed. He turned to me, acknowledged my presence. “You found my collection, Juneau.” He turned back to the jars, focused on one. He stood on his hind legs so that his nose pressed against the dusty glass, leaving a heart shaped mark. The jar scooted slightly back with his touch. It was the eye of a dog, removed due to glaucoma and an infection. I picked it up, and he watched my hand do so. The eye bobbed in the solution of diluted isopropyl and ethanol alcohol. The iris rotated in the movement, settling in my direction. Eyes, even the ones from a dog, are much larger than people think, especially when magnified by the curve of a glass jar. It almost looked like a human eye, or what I would think human eyes outside of the skull would look like. I remember the cloudiness of my grandmother’s eyes, fogged due to both glaucoma and the distance of her fading mind as the dementia ate away at the person she was. The only difference to me was the size of the pupil.

I started collecting wet specimens one day when asked to dispose of a removed cat tooth, yellowed with plaque and hollowed with nerve rot. I asked the lead vet if I could keep it. I thought it would make a neat necklace, like those bleached shark-tooth necklaces from coastal gift shops. But real and with less pooka. Now I had an entire box of canine’s canines. I put the jar back in its place. Juneau’s focus had moved. He looked at one of my favorite pieces, my most liked photo on the wet specimen blog I moderated. A dog’s heart. Its arteries were burst through by heartworms, like spaghetti pushed through the holes of a colander. The worms floated with the heart, reaching toward the outer reaches of the jar. The heart was still swollen from the worms that never made it outside the gray folds. 

I loved Juneau for many months. He never barked or growled. He was a silent dog. A dog of stillness, so antithetical to his nature that it was almost unnerving. It was like watching the subject of a photo move when he walked, a surprise every time. He liked to lick peanut butter off my fingers. He liked to curl up with me at night. But most of all, he liked to watch. I made sure to leave all doors open throughout the apartment so he could follow me. If I closed a door behind me, to shower for example, I would hear his nails scratch at the door, or a disapproving sigh from his nostrils. And he would be distant to me for some time afterward, still watching of course, but from the corner of the room or a hallway. He punished me with his distance. 

And then the fingers began to grow.

I noticed his front paws jutted out further than before and made a note to myself to cut his nails. The next day, his nails had retracted in, mostly on the surface of the nubs, like the fingernails of a newborn. The digits grew in length until Juneau had fingers almost as long as mine. A grayish pink skin covered them, the same color as the skin on his stomach where the fur was thinner and easier to part. I held his hands in mine, the fingers curled around my palm, his thumb flexing in and out like the pinching motions of a crab.

They slapped at my hardwood floors as he walked.

And still I loved him. I told him this. And he would blink once.

One morning, I found him in the kitchen. His legs elongated, muscles swimming under skin like water moccasins in a placid lake. He stood upright, his hands, now longer than mine, had the upper drawer open. He held a jar of peanut butter in his hands, unsure of how to open it with these new appendages. I slid it from him, and he stared at me, those eyebrows lowered. It’s difficult to tell if a dog is happy with you when his mouth is closed, and his ears are up. I worried about this as he now met me at eye level. I opened the jar as he sat down on the floor, his now long legs bowing out like a cartoon frog. Hello, my darling. I scooped a wad of peanut butter onto my finger and held it out to him. He licked it gently off. He pushed his own newly formed fingers into the jar and held a mound of peanut butter out to me.

I locked my door that night. I listened as his hands hit against the floor on his walk down the dark hallway. He no longer scratched at the door or huffed out in frustration with his breath. Instead, you could hear his hands as they rubbed along the wood, feeling the door beneath their soft pads. The doorknob rattled; they must have found it. He turned it back and forth, testing it in his palms. 

I woke up that night with a hand on my shoulder, a cold nose against my ear. 

Juneau was gone in the morning, the bedroom door open. I heard him in the kitchen, a drawer closed, the sound of kibble pouring into a bowl. I called his name, once. I heard him stop pouring. The drawer closed, and the apartment was silent. I walked down the hallway; the kitchen light was on. One bowl sat on the small, square bistro table. It was filled with dry dog food. I sat on the other side, unsure of what he wanted me to do. He was standing on all fours awkwardly as his back legs were much longer than his arms. He stood acute, at an odd slant. Downward dog. 

He put one hand on the back of the empty chair, the other on the table, and he pulled himself up. His arched dog spine bent concave as he slid into the space. He sat across from me, and I could see myself trapped in his large pupils. He picked up one piece of kibble and pantomimed the action of eating it. The snout opened and closed with a sticking sound as his chops waved with the motion. He dropped it back in the bowl and pushed it toward me. 

I picked up one of the pieces and put it in my mouth. He watched. He listened to the crunch. The dry grittiness, the taste of bacon and tuna and oil, made me want to spit it out. But I didn’t. He opened his mouth at this, a smile. His hand reached toward me, and I pushed it away. He snapped his jaws once.

He reached toward me again, his fingers outstretched. A sound came from his body, I could hear it start somewhere deep within him and build as it climbed in his throat. A low guttural growl, a cough maybe. He tried again, another sound, this one a bark.

His fingers ran through the top of my head, scratched behind my ear.

He opened his mouth, a pink wet cavern with a dark hole in the center. Something white climbed from the depths of it, a small nub. More of them popped into place, like he swallowed a pookah necklace, and it was being pulled out shell by shell. They formed a small oval at the back of his throat, a row of small teeth, newly formed, pink, and slick with saliva and blood. A human mouth within his. It closed a few times, as if testing the density of itself. More quick barks came from its throat as the mouth within the snout formed its first word. 

His hands cupped my face. “Pet.”  

About the Author

Justin Johnson is a graduate of the Creative Writing MFA program at Fairleigh Dickinson University. He travels and reads full time.

About the Artist

Michael Katchan is an illustrator in Denmark. He's addicted to coffee.

Wendover Street

By Lindsay Lennox

The Beast was tired, and he was cranky. 

Most of all, he was hungry, and humans aren’t the only creatures who get a bit moody when they’re hungry. He turned the corner near the playground. 

Yes, wonderful: cobblestones, thought the Beast. He hated cobblestones. The uneven ground made it awfully hard to lurk with any proper spirit, and they also hurt his feet. 

The street went uphill, of course. The Beast had powerful lower limbs that coiled like springs, as if designed especially for leaping upon things. Even sprinting up silently behind things was possible, with concentration. But his body did not lend itself gracefully to this slow, cautious uphill trudge over the stones. 

To_Smell

To Smell by Donald Patten

It was a summer night, a Saturday, and many of the houses were dark. Lifting his face and sniffing, the Beast could pick up traces of morning departures. They were rich with anticipation, pregnant with the snappish arguments of road trips, the disappointing arrivals at places which, after all, weren’t different enough from home to matter. There was, already, the resigned dread of Sunday evenings after a weekend filled with busyness. The Beast could survive on such fumes, like a fruit fly, but he wouldn’t say it was much of a life. 

Walking—trudging—a little further up the street brought the discovery that one of these houses wasn’t empty after all. It was absolutely overflowing with light, and noise: well, with Joy, thought the Beast, wrinkling his muzzle. Ordinarily he’d pass this house by without a thought. Not that there weren’t possibilities—there were always possibilities—but usually there were better options for an evening than braving this stench.  

To_Taste

To Taste by Donald Patten

Even as his body began churning with nausea and anxiety, his hunger brought him closer to the house. Joy wasn’t necessarily dangerous to a healthy, fully-grown adult of his species, but that didn’t stop his nostrils from clamping shut, or his thick, pungent blood from moving faster. He counted to ten, pushing his brain to filter out the distractingly unpleasant smell and instead focus on what else he could detect. 

Back to basics, the Beast coached himself. How many are they, what are their ages, what are their fears?

Commanding his muscles to relax, he took a single deep breath through his nose. The house held both adults and children, six of each. Sniffing again, he decided the adults were married couples, and the children were true children, no teenagers, although a couple of them were on the cusp. Possibilities—yes. 

A geyser of laughter erupted from what seemed to be a small sunroom on one side of the house, pushing the Beast back a few steps and making him stumble on the cobblestones. The adults were all in the sunroom, he realized, playing a card game that seemed to involve quite a bit of good-natured arguing.

The Beast crept closer to the sunroom. It was screened but open to the night air on three sides. A screen door allowed the passage of children between the backyard and the sunroom, door bouncing noisily every time one came inside to seek its parents. He moved up underneath the windows facing the front, where he was concealed by the slightly unkempt shrubbery and could stay well clear of any wandering children. 

Children’s minds were difficult to predict; sometimes they could walk right by him without turning a hair, and sometimes they knew his presence almost before he had arrived and steadfastly refused to go near him, taking no notice of their parents’ threats or cajoleries. The Beast found it humorous how often parents referred to these episodes of flawless, unreasoning insight as tantrums or sulking. 

From his position by the large front windows, now that he’d gotten used to the always-present odor, the Beast began to learn more about the adults. Yes, they were definitely three married couples, and marriage—well, there was no richer source of what the Beast ate. One of the couples owned this house, had purchased it when their first child was expected. The others were visitors, but visitors who had been to this house so many times that their affection clung to it, their knowledge of which stair creaked, which cabinet held their favorite coffee mugs, mugs that had themselves survived multiple kitchen purges on the strength of these visits.

Closing his eyes, he could taste intricate flavors in the humid midwestern air. Love certainly, between the couples tonight, the lines connecting those who were married expanded into a kind of net, painfully bright and humming with power. But love was no use to the Beast, and he focused his senses on the other interesting scents dancing under that glowing surface. Oh yes—there was the memory of arguments, things said that could be both forgiven and forgotten but which stayed there nonetheless, sending out their tendrils of quiet rot. There were worries, of course—the children, the money, the illnesses, the promotion—but these worries were so often products of love and thus were not the Beast’s preferred sustenance.

Deliciously, there were echoes of the future, things awaiting these people that they themselves already guessed at: there was divorce, there was addiction, there was grief for harm that would come to some of the children, and worse, guilt for those harms. If he concentrated, he could even sense tragedies for the children who weren’t even born yet, the ones who would be created by some of the children even now passing him by in the dark as they tracked fireflies.

He could eat all these things, of course. From where he stood now, he could fill his belly and leave behind—well, nothing very dramatic, just a shared feeling that these evenings, once so looked forward to, were somehow not the same anymore.   

But it would be hard. Even with all their private sorrows, tonight these people were sheltered by their gathering together, much more than they knew. What the Beast longed for right now was some nice, simple uncomplicated despair. Surely someone, in one of these houses, was tipping over the edge, was ripe for emptiness, was craving it, even. Maybe even now, he’d be better off just moving along up the street—but he was, still, very hungry. He wavered.

Just then, the bushes separating him from the front yard shook violently. They parted to let a child through. It was a girl, one of those who was almost, but not quite, past childhood. She didn’t seem to be aware of his presence, although she was standing nearly on top of him. 

To_See

To See by Donald Patten

The girl child held her breath as several other younger children dashed in front of the bushes, their erratic flashlights and noisy chatter fading as they turned the corner toward the back of house. The Beast assumed she would leave the way she’d arrived, now that the front of the house was quiet and dark again. Instead, she sat down on the mulch that surrounded the base of the bushes. The Beast had to back up quickly to prevent her from actually sitting on his hoof-like feet. 

He was accustomed to being ignored by children, but he’d never been quite this close to one without getting some kind of reaction, if only in the form of a sudden impulse on the part of the child to be somewhere else. The girl child, however, gave every sign of staying put right here. In fact, she pulled out a small book, flipped through the pages until she found her place, then began to read in the bright light that spilled from the sunroom windows. 

Now what?

He was still uncertain about the adults inside, and he also wasn’t completely sure he could get out of the shrubbery without alerting the girl. The girl who, he belatedly realized, he was a bit afraid of; his pulse had quickened again, and that rolling nausea had returned, making it impossible to decide what to do. 

The problem with the girl was that she was terribly, terribly happy. 

She didn’t live in this house, the Beast knew. She was visiting with her parents, and as he hunched awkwardly above her, he was assaulted by the joys — they were many, and recent — that this place held for her.  

To_Feel

To Feel by Donald Patten

Standing this close, her pleasures were vivid: there was the family’s arrival two days ago, leaping from the station wagon (filled with the debris of eight hours of driving) to scale the low wall that bordered the driveway. Yes, there it was, the semi-wild backyard, the evergreen tree with branches hanging all the way to the ground, a natural haven for a quiet, bookish child. Then there was carrying her suitcase up, up, up, past the bedrooms on the second floor, the younger children’s rooms filled with bright, educational toys. 

Up to the third floor, which was really an attic, tall enough in the middle to stand up, but with a roof that sloped down to meet the walls, which were covered in books. Nearly every surface in the single large attic room was packed with books. The smell of the attic library was the single most powerful sense memory the girl had of the house, and the Beast reeled from its intensity, barely noticing that the same scent rose from the book the girl held open as she read by the window light.  

She was terribly happy, but she was also eleven years old, and that was an age rich in loss, the Beast knew. Already, she was just a little too old for the game unfolding around her, a shifting amalgam of hide-and-seek tag Marco Polo that would keep going for hours still. Already she was feeling the blind safety of childhood slipping away, even here, in the house of the people who’d been there when she was born, a magic she couldn’t have articulated, much less understood.

It wouldn’t take much, he knew. He knew how to find those tiny negative spaces of loss, how to breathe on one with great gentleness until it became an uncrossable missingness that was the end of childhood with its savage birthrights and protections, the beginning of despair. 

Time passed.

The Beast waffled. He shifted his weight.

Time passed.

Jennifer stood, closing her book after committing the page number to memory. She brushed off the backs of her thighs where bits of mulch had stuck to them. Using one arm as a shield, she pushed through the wall of bushes that had hidden her from the younger kids. The parents had spilled out of the sunroom onto the front lawn now, calling to their offspring with great noise and hilarity. 

She passed the hiding spot of the two kids whose parents were ready to leave: the two brothers were shushing each other underneath the huge tree whose branches came down all the way to the ground. Jennifer herself was staying here tonight and was more than ready to settle into her sleeping spot on the sofa in the family room.

She missed sleeping in the attic with her parents, in a sleeping bag with her face turned toward the low shelves packed with books arranged first vertically, then stacked horizontally on top of the tightly packed spines wherever space permitted. The books were varied; there were textbooks, mysteries, nonfiction hardcovers, dog-eared romance novels. 

But as the older sibling she had been displaced to the living room several years ago, and the living room had its own treasures. The built-in bookcase held books more prestigious than those stored upstairs—large-format art books, academic works authored by colleagues of these friends of her parents — but arranged in much the same way. The shelves also held a fascinating selection of other objects: sculptures, small paintings, framed numbered prints which were continued onto the walls in larger pieces. 

Jennifer loved the living room, so different from the neatly ordered living room in her own house, as she loved the attic and the dining room with its heavy, formal dining set covered in perilously high stacks of papers (guarded by a cat with the dark gray fur that adults insisted was called blue). As she loved the sunroom where the floor vibrated when you ran through it on the way to the backyard, making the card table sway so that the parents grabbed up their glasses, slick with condensation from the humid evening, and shouted laughing reminders not to let the door slam (reminders which no child ever heard, what with the door slamming all the time). 

Sometimes she stayed up late after her parents tucked her into her sofa spot, watching the lights from occasional cars pass over the room, listening to the muted quarter-hour chimes from the cuckoo clock in the entryway. Jennifer liked sleeping, especially now as she was approaching adolescence, but the feeling of this house was always strongest at night, and it was nice to fall asleep slowly, letting her gangling limbs melt into its warmth, its books and clutter, its fullness. 

This evening, though, she’d been up very late already, alternately playing with and evading the younger children, and she wasn’t awake long enough to hear even one of the clock’s chimes.  

As she sank into sleep she heard, for a moment, an odd clopping sound. She thought it sounded like hooves, fumbling unevenly over the cobblestones, but that didn’t make sense; Jennifer didn’t always pay close attention to everything around her, but she had certainly never heard of horses being on Wendover Street. 

The sound, seeming to make up its mind at last, moved further and further away, in the direction of the dark houses further up the road. As the sound faded Jennifer drifted into one of those golden, twilit dreams that only children really have, and by morning she didn’t remember hearing it at all.  

To_Hear

To Hear by Donald Patten

About the Author

Lindsay Lennox is a queer, non-binary writer living in Colorado. In addition to a few (more mainstream) published pieces, they are currently revising a novel using sci-fi themes to explore gender identity, as well as working on a magical realist retelling of The Boy Who Cried Wolf.

About the Artist

Donald Patten is an artist and cartoonist from Belfast, Maine. He produces oil paintings, illustrations, ceramic pieces and graphic novels. His art has been exhibited in galleries across Maine. His online portfolio can be found here

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