by Mary Elder Jacobsen
Why I Still Write
Because on Monday I am not a Syrian refugee, fleeing
with nothing but my name, lost on a 2-year-long waiting
list to safety. Because Tuesday I am not the hawthorn tree
found feeble with rot in our yard, trunk collapsing to its core.
Because, come Wednesday, I’m neither my neighbor’s lost curls
nor her wept tears, dropping onto the chemo chair.
Because these late-September temperatures never did plummet
as predicted by Thursday, and I can’t forget to plunge again
into the piercing lake, to swim once more, deliriously numb.
Because on Friday morning, not another soul in my garden,
I work leaf litter into loss, kneading the earth while kneeling down,
grateful to have known the hawthorn—its blossom and its thorn.
Because we can’t even fathom an age as old as Saturn’s—
four-and-a-half billion years—yet already, before it’s over,
we’ve begun to miss this day, the one we’ve just been given.
And the one after that. Because on Sunday, after nightfall,
we sit under dark skies on our wobbly outdoor lawn chairs,
their old joints creaking, the wood silvering to gray, all
of us waiting together—mother, father, and son-on-the-cusp-
of-adulthood—warm under blankets, the air grown cool,
our puppy roving from lap to lap, wondering what’s up
as we speak or don’t speak. In the welcome quiet, gazing
out across the lake, up over tree line, our heads tilted back,
we stare in awe at the Super Blood Moon, just now eclipsing.
Because, whatever Science says about some equal future moon,
I know the rare particulars of this vast and intimate brilliance—
the now of us—won’t ever, in our lifetime, come my way again.
ABOUT THE AUTHOR
Mary Elder Jacobsen’s poetry has appeared widely in journals such as Green Mountains Review, Cold Mountain Review, Four Way Review, and The Greensboro Review, to name a few, and has been selected for the anthologies Birchsong, Healing the Divide: Poems of Kindness & Connection, and the forthcoming How to Love the World: Poems of Gratitude and Hope. She lives in rural Vermont where she works as a writer, illustrator, editor, and community volunteer, serving in roles ranging from organizer of an annual poetry reading series to member of a nonprofit that works to save a historically significant 1886 community gathering place.