by Adrian S. Potter
Why We Dance While the Roof is on Fire
We are all looting the stores of our damaged confidence
like they’re in a strip mall during a riot. We’re partway
between calling for a sober cab and cracking open another can,
while our split-tongued society sings hymns of feigned hallelujahs
and scams us with its newest crackpot theories of happiness.
The perimeters of our hearts are delineated with caution tape,
our prejudices passing judgment in the darkness like a joint
at a house party. This is why we dance while the roof is on fire,
letting that motherfucker burn for a chance at insurance money.
All our past due bills and/or insatiable cravings for shiny things
(see also: bling) prod us to cope with the modern man’s hustle
long after we’ve recognized that it’s fully rooted in madness.
We’ve already memorized the abridged definition of insanity,
doing the same thing over again, expecting different results,
etcetera. But the real definition is the itch of a jagged question
caught in our throats, while the answer smolders like a Newport
in our hands only three weeks after going cold turkey, again.
Half-truths are just half-lies putting their best foot forward.
Nothing prepares us for the potholes along the rutted road
to redemption. Indeed, the struggle is real. It’s like a jungle,
sometimes, but such old-school sentiments are omitted
from the lyrics of the latest song telling us to keep it real
when it sounds fake as a street vendor’s ticking Rolex.
Yes, yes ya’ll, we won’t stop. Because if we ever did,
we’d cease believing in salvation as it comes unspooled
like a mixtape containing the soundtrack to our survival.
ABOUT THE AUTHOR
Adrian S. Potter writes poetry and prose in Minnesota. He is the author of the poetry collection Everything Wrong Feels Right and the prose chapbook The Alter Ego Handbook. Publication credits include North American Review, Obsidian, Jet Fuel Review, and Kansas City Voices. Visit him online at http://adrianspotter.com/.